A new theme park is built on the original site of Jurassic Park. Everything is going well until the park's newest attraction--a genetically modified giant stealth killing machine--escapes containment and goes on a killing spree.
Director: Colin Trevorrow
Writers: Rick Jaffa (screenplay), Amanda Silver (screenplay)
Stars: Chris Pratt, Bryce Dallas Howard, Ty Simpkins
Storyline
22 years after the original Jurassic Park failed, the new park (also known as Jurassic World) is open for business. After years of studying genetics the scientists on the park genetically engineer a new breed of dinosaur. When everything goes horribly wrong, will our heroes make it off the island?
Jurassic World (2015) Reviews
I was surprised to hear this movie was coming to the big screen considering how disappointing the last outing Jurassic Park 3 was. My recommendation is that if you haven't seen any of the original 3 movies (unlikely but possible ?) don't be tempted to now, watch this and it will be all the more enjoyable, well they say ignorance is bliss ! Of course you probably have seen the original and best film from 1993 and even the still very enjoyable JP2 of 1997 which this film compares favourably to. It is leaps and bounds better than JP3 of 2001 which was inevitable because that film was scraping the barrel for ideas. The CGI has improved quite a bit and that is where the money has been spent I guess (another £100 000 000 film !) with the added bonus of 3D which I thought was really good. OK the story is obviously predictable , we aren't expecting all the dinosaurs to stay in their pens and behave themselves are we !? The newish ideas come in the form that we have trained the dinos to be more entertaining a bit like sea-world and for that extra wow factor that is of course needed we have a new chimera of a dinosaur in Indominus-rex a real badass monster who inevitably runs amok. There are some funny and romantic moments dropped in here and there and of course the baddies in the background with their own agendas for the dinosaurs. Chris Pratt shows us again how entertaining he can be as the action hero and will obviously be doing more comedy action in future. BD Wong is again the scientist from the original 1993 film, it would have been nice to see Sam Neil but you can't have everything ,maybe JP3 scared him or should I say scarred him ? Anyway ,if you want to see an action packed entertaining big blockbuster of a movie go and see Mad Max Fury Road, if you want to see an entertaining action movie about dinosaurs , Jurassic World is a good option.
Bound by a shared destiny, a teen bursting with scientific curiosity and a former boy-genius inventor embark on a mission to unearth the secrets of a place somewhere in time and space that exists in their collective memory.
Bound by a shared destiny, a bright, optimistic teen bursting with scientific curiosity and a former boy-genius inventor jaded by disillusionment embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as "Tomorrowland." Reviews
Some in Hollywood seem to think the ills of the world should be laid squarely at the feet of humanity. Humanity is, by its nature, followers. Our leaders are the ones who shoulder the responsibilities that come with their fat paychecks and status in society. They lead the rabble. Like Avatar before it, this movie degenerated into being unnecessarily preachy to the masses. Who follow. They don't lead. Tell it to our leaders! I get it already and almost walked out the of theater because I don't pay good money to be preached to on this level. Tell it to the correct audience. We're not dumb, but we can only do just so much. As for the movie itself, it was fun until the end, where the overt preaching began. This is "What The Bleep Do We Know" on CGI steroids -a fine film which took complicated subjects and brought them down to a level where most common folk could comprehend. Until our leaders develop a more protective, forward-thinking and doing attitude, nothing will change.
After six years of keeping our malls safe, Paul Blart has earned a well-deserved vacation. He heads to Vegas with his teenage daughter before she heads off to college. But safety never takes a holiday and when duty calls, Blart answers.
Director : Andy Fickman Writers : Kevin James, Nick Bakay Stars : Kevin James, Raini Rodriguez, Eduardo Verástegui
Storyline
After six years of keeping our malls safe, Paul Blart has earned a well-deserved vacation. He heads to Vegas with his teenage daughter before she heads off to college. But safety never takes a holiday and when duty calls, Blart answers.
Reviews
Comedy is not a science, but there is a technique that makes it funny. A lot of modern comedies like Knocked Up, This is the End, and The Interview (yes, I know all of these have Seth Rogan) work thanks to developed characters and smart jokes. Classic comedies had these moments as well, but one genre of comedy we rarely see anymore is slapstick. Buster Keaton and Charlie Chaplin were all master of creating large stunts that would evoke laughter for generations to come. Sitting on a train wheel as it's moving in motion? Hilarious! A factory worker that can't keep up with the strenuous machines? My sides are splitting!
Somehow, slapstick has become more associated with satire then with regular comedies. But since the genres have seemed to cross, parodies are no longer playing in theaters as many of the last features including Disaster Movie, Stan Helsing and Haunted House have shown to be unfunny. These kinds of slapstick movie fail because they go with the most obvious answers to the joke. Comedy is all about expectation, and if you can see what's coming, then your comedy is going to fall faster then your comic on a banana peal. I guess no one considered this for Paul Blart: Mall Cop 2.
Paul Blart (played by Kevin James) is still proud of having saved his New Jersey mall six years ago from the thieves that tried to take it over on Black Friday six years ago (from the first Paul Blart: Mall Cop movie). But the woman he married from the ending of the previous film divorced him after six days and a milk truck hit his mother. Two of the most important people have left him and he's about to lose a third; his teenage daughter Maya (played by Raini Rodriguiz) as she's been accepted into UCLA.
For his actions, Blart is invited to a security guards convention where he'll give the keynote speech. He accepts, knowing that he and his daughter need a vacation. They arrive at the Wynn Hotel where Blart meets with four other guards, Saul, Khan, Donna, and Gino, and makes tough chit-chat with the hotel staff. Blart finds out that he won't be making a speech after all, deflating his spirits. Things get worse as a bunch of international thieves are planning on steeling some fine art from the hotel, including a Van Gogh. The thieves kidnap Maya get and it's up to Blart to save the day again.
I never cared for the first movie and I really don't care for Paul Blart: Mall Cop 2. The movie was produced by Adam Sandler's Happy Madison company (this movie seemed to be ashamed by this as I did not see their logo in the opening credits), and it reveals why no one should be associated with this production house; high amounts of product placements, emphasis of gross out gags, and worse of all, unfunny material.
Perhaps Kevin James can be a funny actor, but he shows little interest here. Paul Blart is unlikable as a character and unamusing as a comedic personality. He spews jokes throughout the movie, yet not one joke made me laugh. NOT ONE! All he has is fat shaming jokes and food jokes. These are the kind of movies that set fat guys ten years behind, only saying that they eat and are lazy. I know plenty of fat people that are productive and find this movie repulsive. Even if a skinny actor had been cast, Paul Blart: Mall Cop 2 still wouldn't have worked as over protective father stories are not funny and even the heist is not interesting. I'll give credit that art is something that people don't steel in Vegas, but still, a missed opportunity.
I'll give this one broken Segway out of ten. Paul Blart: Mall Cop 1 and 2 are both so unfunny and lazy, that they belong in the seventy cent DVD bin at Wal Mart rather then a ten dollar cinema. Perhaps for Paul Blart 3, our hero will save people from a holdup at a Dunkin Donuts or something. Watch Paul Blart: Mall Cop 2 (2015) Full Movie
Fate deals young orphan Matt Murdock a strange hand when he is doused with hazardous waste. The accident leaves Matt blind but also gives him a heightened "radar sense" that allows him to "see" far better than any man. Years later Murdock has grown into a man and becomes a respected criminal attorney. But after he's done his "day job" Matt takes on a secret identity as "The Man Without Fear," Daredevil, the masked avenger that patrols the neighborhood of Hell's Kitchen and New York City to combat the injustice that he cannot tackle in the courtroom.
Reviews
Where Spiderman was colorful and almost cartoonish, Daredevil is gritty and merciless. Whatever you thought couldn't happen in Peter Parker's world will more than likely happen in Matt Murdock's neck of the woods. Because people die here. Sometimes they die slowly and painfully. The superheroes go home with scars on their backs, broken teeth, and more than a few gruesome images that need to be repressed. For all of these reasons I liked Daredevil, because it takes chances by offering a hero that is by no means invincible or conventional.
The origin story of the character Daredevil is pretty complicated, but, as the helpful gentleman in the theater so aptly put it, "He's blind, but he can see stuff blind." Let's just leave it at this: As a kid, Matt Murdock was blinded by radioactive material in a freak accident. This caused his other senses to become phenomenally acute, to the point where Matt can track criminals by their scent and use sound waves as a sort of radar. He uses his newfound abilities to protect those who will not be protected by the justice system, all the while hoping that one day he will find the person who killed his father.
If you're a fan of the first two Batman movies, you'll find a lot to love in Daredevil. There are still some comic book elements that require some suspension of disbelief, like the fact that Matt could construct an entire high-tech lair beneath a church while working as a pro-bono lawyer, but the movie is not fantasy-driven. The fight scenes will make you wince at their realism, the love story is not corny or forced (as opposed to a certain flick called Just Married), and the characters are complex, uncertain people who just happen to don masks and fight on rooftops.
Do you remember the parts in the old Christopher Reeve Superman movies where Clark would hear someone crying for help in the distance? He would always be having dinner with Lois Lane at the time, and had to make up some dumb excuse for ditching the scene like, "Oh! I just forgot. I have a book due at the library." Then he would dash off to save the day, leaving Lois high and dry. Well, in today's feature, Matt hears someone crying for help, but when his love interest, Elektra, asks him to stay, he actually does. With out-of-left-field scenes like this, I couldn't help but enjoy Daredevil.
Some might be surprised at how little screen time the villains get in this movie. Kingpin, a Don Giovini mobster type, and Bullseye, an Irish nut with a couple of loose screws, are important parts of our story, but they don't steal the show. Going back to the Batman comparison, many movie buffs think that Jack Nicholson's role as the joker actually become more interesting than the winged knight himself. Not so in this movie, as Daredevil is the guy whom the role shebang revolves around. By deciding to focus on the hero more than the villain, the audience can get into his head and root for him to the last battle. Matt is a cool guy because he's not a wealthy playboy or Kryptonian who can smash through walls. Other than his heightened senses and combat skills, he's just a regular guy who happens to like read leather.
After X-Men and Spiderman became huge hits, it was expected that Hollywood would start churning out more superhero flicks as fast as they could make them. Thankfully, Daredevil doesn't seem recycled or rushed and actually brings something new to the table.
Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.
Director:
Sergey Bodrov (as Sergei Bodrov)
Writers:
Charles Leavitt (screenplay), Steven Knight (screenplay),
Stars:
Ben Barnes, Julianne Moore, Jeff Bridges.
John Gregory, who is a seventh son of a seventh son and also the local spook, has protected his country from witches, boggarts, ghouls and all manner of things that go bump in the night. However John is not young anymore, and has been seeking an apprentice to carry on his trade. Most have failed to survive. The last hope is a young farmer's son named Thomas Ward. Will he survive the training to become the spook that so many others couldn't? Should he trust the girl with pointy shoes? How can Thomas stand a chance against Mother Malkin, the most dangerous witch in the county?
Reviews
This film tells the tale of a seventh son from a village, who is chosen by a master to fight the evil witch who will rule the land.
"Seventh Son" is one of the rare mediaeval fantasy film, that don't seem to be made anymore. This fantasy tale is entertaining, and Julianne Moore gives a good performance of a cold blooded witch. The story itself is not particularly interesting or engaging, and there is little thrill. The film is heavily reliant on computer generated graphics, but we have been wowed by "The Hobbit" and "The Lord of the Rings" already. Hence, "Seventh Son" offers nothing new, and only offers a brainless way to kill two hours. Seventh Son (2014) Full Movie
EX LAPD cop Brian O'Conner (Paul Walker) teams up with his ex-con friend Roman Pearce (Tyrese Gibson) and works with undercover U.S. Customs Service agent Monica Fuentes (Eva Mendes) to bring Miami-based drug lord Carter Verone (Cole Hauser) down.
Reviews
I've read some excellent, incisive comments, mostly critical of "2Fast 2Furious" on the pages of IMDb. These comments are much more artistically, technically and culturally incisive than what shows up on the pages of our commercial media. They all happen to be wrong, I believe, because I was here the last time major motion picture cultural earth changes came through, and I knew it that time, when most were still dismissing what were called "spaghetti" westerns and "chopsocky," martial arts films. The great films that emerged from these two cultural upheavals are now considered part of our mainstream culture. So will, the "cosmo/octane films," which combine elements of "Miami Vice," "Beach Party," auto racing movies and the black/white buddy picture. I read complaints about the element of "Asian Techno" being supplanted by "American metal". Guess what? The "hemi" is back, and I DO see a real challenge coming between "muscle" and "pocket rockets". Director John Singleton and his talented crew have made the most of the glamor possible through this "multicultural engineering". Thus we have hot men and women of all races and colors running around in "2Fast 2Furious". As Sergio Leone and his cohorts taught us "Faces can create a landscape," so here we have one of the most fascinating faces I've seen recently in the person of Devon Aoki. Devon doesn't get much to do, but she's there for the look and she DOES make the most of it. Eva Mendes has just the right mix of brains, class and lustiness to keep you guessing. Tyrese also has that look, kind of a Jamie Foxx with a lot more dangerousness. I wish Singleton had some way to give Tyrese more, 'cause he always seems to be coming out second place to Paul Walker in storyline. The plot of "2Fast, 2Furious", admittedly, does seem sort sort of like a bad CHiPs episode with Erik Estrada upstaging Larry Wilcox (AGAIN!!!). Styles, what count, though, and great driving.
Ah, and then there's Paul Walker. If I live long enough, I know I'm going to see Walker win an Oscar. Laugh? Remember the jokes about John Wayne and Clint Eastwood? Walker impressed me the first time I saw him. He was playing a heavy in "She's All That." Walker brought a vulnerability to that role, which made his character all the more dangerous. Here, Walker is cool, empathetic, sexy, dependable and dangerous, all at the same time. Just WHO else can you say that about? If Cosmo/Octane IS going to be a new phenomenon,Miami is going to be busy; and, as for Paul Walker, may I strongly suggest to Michael Mann to get his long-delayed "Miami Vice" feature rolling. "Mr. Mann, your 'Sonny Crockett' is waiting."
An American teenager named Sean Boswell is a loner in school, however he challenges his rival for an illegal street racing, and he totals his car in the end of the race. To avoid time in prison he is sent to Tokyo to live with his father who is in the military. As soon as he arrives he discovers a new, fun but dangerous way of street racing in the underworld of the streets of Tokyo, Japan.
Reviews
I was quite surprised by The Fast and The Furious: Tokyo Drift. Of course, I expected it to be a pile of steaming garbage, particularly with the formula of increasingly dodgy sequels. So when I went to see it with some friends, I had obvious misgivings. These misgivings, or at least the worst ones, such as the movie being unbearable to even look at, were fortunately unfounded. I kept my eyes on the movie the whole time, mainly because of the souped cars, but the fact that I went through the movie without flinching (a lot, except at some of the bad dialogue that was prevalent), says quite a lot. Maybe my view of The Fast and The Furious: Tokyo Drift is heightened by the fact that I cracked a few jokes during the movie.
Now down to business. Sean, a 'dude' who loves to race at high speeds for no apparent reason, is sent to Tokyo to live with his military dad and ends up being drawn to the racing circuit again, witnessing a new style of race called 'drift' (as seen in Need For Speed Underground, to those that don't know). Sounds stupid? Well, it is, the casual viewer can detect a plothole or two from even reading those two lines. To go on, except to state that Sean ends up making friends with a guy named Han, is pointless. I will admit that no-one looks for a good plot in a Fast and the Furious movie, but still, the less said, the better.
The dialogue, as I stated, can be funny - because of its stupidity. This is shown by one piece of dialogue where some guy asks Sean: "You know what DK stands for?" and Sean replies "Donkey Kong". At least its original, I guess.
The acting is OK - far from turgid, which I expected it to be in the first place. The guy who plays Han is surprisingly good, going through the movie without looking as if he was hired from a nearby sushi bar. Brian Tee as DK is a bit of a joke, he is more comedic than menacing. Lucas Black is OK as Sean, but his Southern accent makes his character more irritating to watch. The love interest does well as eye candy. That's about all that matters I guess.
The most important part of The Fast and the Furious is inarguably the racing sequences and their overall effectiveness. I will admit that the sequences themselves are well-filmed and eye catching, highlighting the cars, as they should. However, except in a few fleeting moments, they are not as enthralling as they should be and this is one of the most disappointing aspects of The Fast and The Furious: Tokyo Drift. The final confrontation, for me, is pretty good to watch, but only arouses the senses once in a while.
Time didn't drag though, which is a clear sign that The Fast and Furious is indeed quite watchable, despite its other pre-eminent faults. I admit that I didn't really get bored during the film, which may lead to my rose-tinted view of it (compared to my original perception of what it would be like).
So let me summarise my thoughts: "Didn't expect much, got more than I bargained for." The acting is satisfactory (for a racing film, otherwise it would more or less suck), the plot and the dialogue are predictably terrible, the racing sequences are satisfactory and the cinematography is somewhat effective, with frequent close-ups of the cars. What compels me to give The Fast and The Furious a (relatively) favourable rating is the fact that it is, like I said, quite watchable. However, it is still little more than satisfactory, so it's rating cannot therefore rise above:
3/5 stars (If you don't like cars the rating is obviously much lower)
A Foreign Service Officer in London tries to prevent a terrorist attack set to hit New York, but is forced to go on the run when she is framed for crimes she did not commit.
Director:
James McTeigue
Writer:
Philip Shelby (screenplay)
Stars:
Milla Jovovich, Pierce Brosnan, Emma Thompson
A State Department employee newly posted to the American embassy in London is charged with stopping terrorists from getting into the U.S. That puts her right in the line of fire and she is targeted for death and framed for crimes. Discredited, she is forced to go on the run while she tries to clear her name and stop a large-scale terrorist attack set for New Year's Eve in Times Square.
Dominic Toretto and his crew of street racers plan a massive heist to buy their freedom while in the sights of a powerful Brazilian drug lord and a dangerous federal agent.
Director:
Justin Lin Writers:
Chris Morgan, Gary Scott Thompson (characters) Stars:
Vin Diesel, Paul Walker, Dwayne Johnson
Former cop Brian O'Conner partners with ex-con Dom Toretto on the opposite side of the law. Since Brian and Mia Toretto broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail. Hard-nosed federal agent Luke Hobbs never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey... before someone else runs them down first.
Reviews
"Home sweet home" utters Diesel's beefcake criminal Dom Toretto to Walker's baby-faced ex-cop Brian O'Conner as they sit in Toretto's souped up muscle car ready to race along the streets of Rio de Janeiro. There's more than a hint of irony in this; fans of the Fast franchise will know exactly what Dom means. The sequels spawned from the highly successful first film have been a mixed bag appealing to different tastes. Some have been mildly entertaining in their own way, but the one major issue they've all shared is a lack of recurring characters and follow-on narratives. 2009's Fast & Furious partially rectified that by having the main four from the original movie return, but it's this fifth entry that really starts to bring the whole series together.
There's supporting characters from every instalment featured here – Matt Schulze's Vince from number one; Tyrese's big-mouthed Roman and Ludicrous' Tej from 2 Fast 2 Furious; Sung Kang's charismatic Han from Tokyo Drift; and Gal Gadot's sexy Gisele from F&F – with a post-credits cameo to cap it off. Scribe Chris Morgan has obviously done his homework as, in addition to the 'who's who' line-up of co-stars, there are references to the previous movies (and characters that don't appear) and he introduces subplots that help build on earlier story lines. This integration of the Fast universe, along with the marvellously tongue-in-cheek mood, notches up a level of interest not before seen in the car-crazy franchise.
After taking a new course with Tokyo Drift, and failing to impress with Fast & Furious, filmmaker Justin Lin has well and truly ignited the series with exciting set pieces and lashings of well placed humour. He still struggles to effectively call the shots when exposition (or mere conversation) is required; however he clearly has a handle on shooting the various fast-paced action scenes. There is a spectacular heist of luxury cars aboard a train (with a marvellously ridiculous denouement); a Bourne-esque free-running chase along roof tops; and a bruising hand-to-hand melee between The Rock and big Vin.
Of the major stars, it's Fast newcomer Dwayne Johnson who shines the brightest. His epic bad-ass cop makes Toretto look like an absolute sissy, which is no easy feat. He also boasts many of the film's greatest lines and comes away looking the least corny – something Diesel and Walker are evidently use to by now. The chalk and cheese pairing of the two wannabe action stars brings with it a decent slab of shonky acting. Chrome-domed Diesel is especially silly and unconvincing when required to open his mouth, but he looks good behind the wheel of a car and adds plenty to the unapologetic macho atmosphere.
Thanks to Morgan's decent script, Lin's solid grasp on the action and Johnson's tough-as-nails turn, this latest addition to a franchise that appeared to be running on fumes has just stepped on the gas.
Heading back to the streets where it all began, two men rejoin two women to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert. When a crime brings them back to L.A., fugitive ex-con Dom Toretto reignites his feud with agent Brian O'Connor. But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what's possible behind the wheel.
Reviews
I just saw this and to be honest I was hesitant in buying the $8 matinée ticket but wanted to see a movie and figured what the heck. First of all the 1st film was good, IMO the sequel and then Tokyo Drift were pretty bad but the 4th installment gave a ray of hope when I first saw the trailer. I liked the fact that it had a large part of the original cast.
I enjoyed this film and was surprised. They actually wrote a good story and it flowed very well, the action and driving scene's were shot and edited superbly, you did get the feeling that you were in the car at times which adds to the intensity of the driving scenes. I also like the fact that they incorporated American muscle cars instead of just imports this way the movie will appeal to people of all tastes. Overall I was pleasantly surprised of how good the film was. Also the final scene of Phoenix's demise was different than the norm. Bottom line Go see it.
Los Angeles police officer Brian O'Connor must decide where his loyalties really lie when he becomes enamored with the street racing world he has been sent undercover to destroy.
Director:
Rob Cohen Writers:
Ken Li (magazine article "Racer X"), Gary Scott Thompson (screen story), Stars: Vin Diesel, Paul Walker, Michelle Rodriguez
Los Angeles street racer Dominic Toretto falls under the suspicion of the LAPD as a string of high-speed electronics truck robberies rocks the area. Brian O'Connor, an officer of the LAPD, joins the ranks of Toretto's highly skilled racing crew undercover to convict Toretto. However, O'Connor finds himself both enamored with this new world and in love with Toretto's sister, Mia. As a rival racing crew gains strength, O'Connor must decide where his loyalties really lie
Reviews
Today I saw Tokyo drift and yesterday I saw 2 fast 2 furious for the fifth time, but I still find myself drawn toward the original. It stars Paul Walker as an undercover cop who infiltrates the street racing underworld of LA to catch a crook who has been hijacking millions of dollars worth of electronics from 18wheelers, causing the truckers to take matters into their own hands, ultimately ending in deaths and multitudes of money stolen. Now, you would think that because of the semi weak plot, this movie wouldn't be that good, however, the main storyline is just a small part of this movie, the other elements being action and some interesting relationships regarding vin diesels character. Diesel plays a street racing god, one of the best in the LA scene. Walkers character, Brians, way into the world is through Dominic Toretto (Diesel). Toretto has an air about him which draws other in, and Brian is no different. Throughout the movie, Brian is getting to know Dom, earning his trust, etc, but at the end of the movie, both Dom and Brian are forced to make a decision about each other... The whole relationship is interesting to watch. As for the action, there is plenty of it. Besides the many races, there is also some gunplay and some hand to hand fighting, and some interesting hijacking sequences.
All in all the cars are hot, the girls are hotter, the cars are fast, the guns are loaded, and for the more serious, the relationship between Dom, Mia, Vince, Letty, and the others is amazing.
Ethan and team take on their most impossible mission yet, eradicating the Syndicate - an International rogue organization as highly skilled as they are, committed to destroying the IMF.
Director : Christopher McQuarrie Writers : Christopher McQuarrie, Bruce Geller (television series) Stars : Tom Cruise, Jeremy Renner, Simon Pegg
Ethan and team take on their most impossible mission yet, eradicating the Syndicate - an International rogue organization as highly skilled as they are, committed to destroying the IMF.
In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.
Director : Guillermo del Toro Writers : Guillermo del Toro, Matthew Robbins Stars : Jessica Chastain, Charlie Hunnam, Tom Hiddleston
In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.
An inept police officer must protect the widow of a drug dealer from criminals and dirty policemen.
Director : Anne Fletcher Writers : David Feeney, John Quaintance Stars : Reese Witherspoon, Sofía Vergara, Michael Mosley
Storyline
An inept police officer must protect the widow of a drug dealer from criminals and dirty policemen.
Overview
Legendary Pictures’ Crimson
Peak, a co-production with Universal Pictures, is a haunting gothic
horror story directed by the master of dark fairy tales, Guillermo del
Toro (Pan’s Labyrinth, Hellboy series, Pacific Rim), written by del Toro
& Matthew Robbins and starring Mia Wasikowska, Jessica Chastain,
Tom Hiddleston, Charlie Hunnam and Jim Beaver. In the aftermath of a
family tragedy, an aspiring author is torn between love for her
childhood friend and the temptation of a mysterious outsider. Trying to
escape the ghosts of her past, she is swept away to a house that
breathes, bleeds… and remembers.
A Brooklyn couple suspects foul play when their rent controlled neighbor suddenly drops dead.
Reviews
As the title line implies, I had mixed reactions to this film. There were times when I had to force myself to continue watching it. Those were the times when the female lead character, Barri, was acting particularly like the little girl trying to charm her daddy and get away with all the antics and pranks that come with that. Despite the director/writer being aware of having a female lead who is "bratty", a word she uses to describe herself at one point, I kept wondering would anyone intentionally be with someone like this? But, alas, there's someone for everyone.... The longevity of their relationship, and others, is one of the film's subplots. The main storyline is the "mystery" which another astute reviewer compared to a Woody Allen film, especially "Manhattan Murder Mystery." I agree; in more than one way this film was like the WA film: on some levels stupid, slapstick comedy which, if you like it, then you'll like this. Ultimately I kept watching it, as it was also somewhat engaging and entertaining, as another reviewer pointed out, thanks to great photography and visuals of Brooklyn Heights, both indoors and out.
Full Movie Website
Liv Corfixen documents her husband, filmmaker Nicolas Winding Refn, during the production and release of his movie Only God Forgives (2013).
Director : Liv Corfixen Writer : Liv Corfixen Stars : Liv Corfixen, Nicolas Winding Refn, Ryan Gosling
Liv Corfixen documents her husband, filmmaker Nicolas Winding Refn, during the production and release of his movie Only God Forgives (2013)
Reviews
Documentary film about the making of the controversial 2013 crime drama flick 'ONLY GOD FORGIVES'; which was written and directed by Nicols Winding Refn. It was directed and filmed by first time feature filmmaker Liv Corfixen; Refn's wife. It features appearances by Refn, Corfixen, their two daughters, Ryan Gosling (the star of 'ONLY GOD FORGIVES' and 'DRIVE'; which was also helmed by Refn) and another equally popular cult filmmaker; Alejandro Jodorowsky. Refn previously appeared in the 2013 documentary film 'JODOROWSKY'S DUNE'; which was about Jodorowksy's failed attempts to make his own ambitious version of the popular science fiction novel 'Dune'. I found this documentary feature to be extremely insightful, oddly interesting and equally emotionally involving.
The film takes place during the six-month shoot of 'ONLY GOD FORGIVES', in Bangkok, from the beginning of the filming process till it's premier; at the Cannes Film Festival. Corfixen follows her husband around (with a camera) as he obsessively contemplates every individual step, and unique decision, of the making of that critically polarized film. Refn constantly questions whether the movie will be good enough, and if it's unique and different enough; from his universally praised 2011 masterpiece 'DRIVE'. Corfixen also talks to Gosling, Jodorowsky and their two kids about what they think of Refn and his insane filmmaking process..
The Hunting Ground (2015) Full Movie
An expose of rape crimes on U.S. college campuses, their institutional cover-ups, and the devastating toll they take on students and their families.
Director : Kirby Dick Writer : Kirby Dick Stars : Kirby Dick, Amy Ziering, Amy Herdy
From the makers of "The Invisible War" comes a startling expose of rape crimes on U.S. college campuses, their institutional cover-ups and the devastating toll they take on students and their families. Weaving together verite footage and first person testimonies, the film follows the lives of several undergraduate assault survivors as they attempt to pursue - despite incredible push back, harassment and traumatic aftermath - both their education and justice.
Reviews
A documentary that digs deep into the toxic rape culture that exists on our country's college campuses, The Hunting Ground should be required viewing for any stakeholder involved in college life. In true documentary fashion, the film cuts right to the bones of the issue with such laser-beam precision that it reveals an entire web of corruption that is especially salient considering the rash of victim-shaming that emerges when this issue is brought before many political leaders. Perhaps the most shocking part of this story is the implication that (perhaps because of financial or personal pressures) the presidents of these colleges seem to value the health and safety of their athletic programs above those of their other students. This implication is exemplified with the film's brutally honest treatment of the accusations against Jameis Winston, the Florida State football quarterback who is entering the NFL draft this year. Though the bulk of the film focuses on articulating how colleges—we're talking the heavy hitters like Harvard, Stanford and Berkeley—spend more of their resources on covering up these allegations than actually punishing the perpetrators, the stories of the survivors and their efforts to gain national traction and support leaves the audience with the feeling that things are slowly changing for the better. --Alex Springer
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